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BBC2 drama Dancing On The Edge written and directed by Stephen Poliakoff about a black jazz
band in London in the early 1930s.
This has all the trademarks of a Poliakoff drama:
immaculate, beautiful upper crust people in artistically posed scenes, long
meaningful looks, and an obsession with photographs.
Yet despite the often slow
pace, the dialogues are much sharper than I expected and it also has quite a
tight, intriguing and at times tense plot.
This is what probably made me enjoy
it more than any previous work by Poliakoff, together with its focus on an
interesting and little-covered aspect of 1930s Britain, in which we see the
mercurial rise and sad fall of a talented band of black musicians.
After
catching the eye of Stanley, an ambitious young music journalist, they gain
bookings at the once grand now gradually decaying Imperial Hotel and even
attract the attention of the Prince of Wales and his brother before tragedy and
scandal destroy their budding popularity.
The prejudice the players face is
probably quite realistic for the period, and borne with great dignity by the
suave and super-controlled pianist Louis.
And of course, there is the
alternating rhythm and pathos of the music played with such verve beneath the distinctive
rainbow arch of The Imperial.
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